Warli painting

Warli painting

A painting on a wall of a Warli house

Warli paintings, at Sanskriti Kendra Museum, Anandagram, New Delhi.
In her book The Painted World of the Warlis Yashodhara Dalmia claimed that the Warli carry on a tradition stretching back to 2500 or 3000 BC. Their mural paintings are similar to those done between 500 and 10,000 BC in the Rock Shelters of Bhimbetka, in Madhya Pradesh.
Their extremely rudimentary wall paintings use a very basic graphic vocabulary: a circle, a triangle and a square. The circle and triangle come from their observation of nature, the circle representing the sun and the moon, the triangle derived from mountains and pointed trees. Only the square seems to obey a different logic and seems to be a human invention, indicating a sacred enclosure or a piece of land. So the central motive in each ritual painting is the square, the cauk or caukat (pronounced “chauk” or “chaukat”); inside it we find Palaghata, the mother goddess, symbolizing fertility. Significantly, male gods are unusual among the Warli and are frequently related to spirits which have taken human shape. The central motif in these ritual paintings is surrounded by scenes portraying hunting, fishing and farming, festivals and dances, trees and animals. Human and animal bodies are represented by two triangles joined at the tip; the upper triangle depicts the trunk and the lower triangle the pelvis. Their precarious equilibrium symbolizes the balance of the universe, and of the couple, and has the practical and amusing advantage of animating the bodies.
The pared down pictorial language is matched by a rudimentary technique. The ritual paintings are usually done inside the huts. The walls are made of a mixture of branches, earth and cow dung, making a red ochre background for the wall paintings. The Warli use only white for their paintings. Their white pigment is a mixture of rice paste and water with gum as a binding. They use a bamboo stick chewed at the end to make it as supple as a paintbrush. The wall paintings are done only for special occasions such as weddings or harvests. The lack of regular artistic activity explains the very crude style of their paintings, which were the preserve of the womenfolk until the late 1970s. But in the 1970s this ritual art took a radical turn, when Jivya Soma Mashe started to paint, not for any special ritual, but on an everyday basis.

About AYUSH
about us AYUSH is self volunteer group of professionals who wants to take initiative to develop & unified our tribal community for future competitions our basic aims are - To bring together all individuals, groups, organizations and initiatives that believe in innovation and development of tribal’s, and to translate their energies into achievements that impact the way and quality of life and society - To connect peoples from different professions & locations with them form knowledge pool for knowledge & experience sharing - To guide/help rural students for their career & future with the help of knowledge pool - To create awareness about business opportunities & employment in rural areas - To connect the rural & urban peoples to update about the future trends & competitions - create confidence among tribal’s & make prepare for future competitions - create awareness about art & culture, promote to preserve art & culture with considering modern lifestyle - to promote strong unity under single tribal banner & remove subtribism in tribal community - remove the dependency & make tribal youth self dependant, confident & successful - To create awareness about use of latest technology in regular life & for social activates our vision A – Ambition of Growth Y – Youth Power U – Unity of Adivasi S – Surety of Support H – Helping Hand Always why we are here? - To utilize our peoples talented, skill & knowledge to help/guide tribal students for their bright future - To connect the peoples from different locations to our community & have good communication between rural & urban peoples - To act as stage for those who wants to something for our community & to translate their energy for developing our community - We are enjoying Satisfaction of having tried To make a difference and the pride of being & making a successful tribal how we can do ? - Connecting different peoples [by internet, mail, sms, forums, etc] - Communication & discussion with all connected peoples [peoples, professionals & students] - Conducting different programs [career guidance, educational guidance, art seminar, cultural festival, debate, etc] - These programs will create confidence among tribal’s which will help to ensure our success we expect - The peoples connected by internet are expected to guide & support our mission & activities - The rural peoples & professionals are expected to support & arrange different programs at local level connect with us - Our aim is to reach each & every tribal’s, we will be happy if you help us

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